Top Ten Reasons to Write Another Book

10. My husband has completely forgotten how unavailable I was while writing my previous book.

9. Daughter’s nine hours of gymnastics each week equals prime writing time.

8. I finally cleaned my sewing room. Why should it stay that way?

7. The rest of my house needs to be cleaned.

6. My 30th high school reunion is creeping up and I need something to talk about.

5. Sleep is overrated.

4. Nothing motivates me quite like a deadline.

3. So. Many. Ideas!

2. Writing a book should make a dent in all this fabric, thus keeping me off Hoarders just a little bit longer.

And the No. 1 reason to write another book…

Stash Books/C&T Publishing accepted my proposal! Coming Fall 2015!

photo (11)

(More details to come next year, like the title. And the subject. But yay! Another book!)

 


Dreams of Millinery

I have always been a researcher. As far back as I can remember, I would read and study in great detail any topic that struck me. Birds, mythology, web design. You name it, I’ve been obsessed with it.

It should come as no surprise, then, that my Snow Queen hat-making adventure comes after seven years of periods of intense research, acquiring appropriate supplies and working myself up to actually making a hat. “Obsessed” is probably the nicest word I can use to describe my approach.

photo 3 (2)

While there are a lot of resources for purchasing ready-made buckram hat forms, I opted to make my own. Drafting a pattern was definitely a consideration but I decide, instead, to use a Victorian Riding Hat pattern by Lynn McMasters. I liked the idea of having a solid starting point so I could focus more on the technique of making the hat rather than the trial-and-error exercise that drafting a pattern for an unfamiliar object can be.

The pattern was a bit of a leap of faith. I found really no reviews online. I had previously used another LM pattern to make a Regency-era bonnet, so I figured I would at least end up with a usable product. I was right but having plenty of sewing experience under my belt — plus all that research — really came in handy since some of the pattern instructions could have been a little more clear.

If you have ever been tempted to make a real, honest-to-goodness top hat, then you should know that 99 percent of the sewing is done by hand. Through buckram. I used a curved upholstery needle for most of it with a metal thimble and a pair of needle-nose pliers on standby. No joke. I only drew blood two or three times, which is less than the amount I bled on my first corset. (Hey, I’ll celebrate any victory!)

The crown and brim are edged in millinery wire and I wish I’d picked up some shrink tube plastic to finish the ends of the wires. I also wish I’d done a better job of snipping the ends. There’s one spot in particular that’s a little bulky because the wire overlaps. I don’t think it will be noticeable while I’m wearing it but I still know it’s there.

The biggest mistake I made was sewing the crown fabric to the fabric on the sides of the hat. You’re supposed to stitch by hand through all the fabric and the buckram just below the wire at the edge of the crown. I decided to cut corners and sew it on the machine, then slip it over the hat. In theory, it seemed like a good idea. The reality, however, is less pretty. The millinery wire really affects the shape  so it’s nearly impossible to get the seam to meet right on the edge of the crown. And oh my bulky seam allowances! If I’d had more fabric, I would have re-cut those pieces and done it the right way. I also think I should have used narrower binding.

I still have more embellishing to do and need to decide if I’m going to add some ribbons inside to use for anchoring the hat to my wig (a frothy blonde concoction that weirds out my husband), but that can wait.

 

 


It’s Progress

I’ve had to take a close look at my costume plans for this year’s Dragoncon and do some scaling back. I’ve got a massive deadline that basically coincides with the convention (yay!) but it means the majority of my non-work time this summer will be spent working instead on that project.

getting started

On the upside, it’s forcing me to not procrastinate when it comes to the two costumes I decided to make. I’m already in the thick of it with the most labor-intensive of the two I’m planning to make: the neo-Victorian Snow Queen. I’m using my existing Truly Victorian corset (which I need to rebind) and bustle underneath and revisiting the TV Vested Basque and Trained Skirt Ensembles for remainder. These are the same patterns I used for last year’s Night Circus costume, which makes things a bit easier on me: no drafting or working with new patterns. I am making a couple of modifications, mostly to the skirt, to accommodate trim and also to make sure I actually have a skirt that’s long enough to wear with shoes. Unlike the Night Circus costume…

Of course I have to amp up the difficulty level a bit and am making a Victorian riding hat from a pattern by Lynn McMasters. I’ve had the supplies and pattern for years but just couldn’t get started. It’s amazing what a little incentive and vision can do to get you moving!

hat in progress

Did I mention how much of this hat involves handsewing?

I more or less raided my stash for the fabrics I’m using for this project. I picked up a nice chunk of aqua no-wale (featherwale) corduroy at JA five or six years ago. It’s a lovely, lightweight but plush cotton cord that looks a bit like velveteen. I did not have enough fabric for the skirt in my stash (it’s about 5 yards) so grabbed some stretch sateen in white at JA (surprise!). I know a lot of costumers look down on fabric from the chain but I’m on a budget and wanted to be able to get more easily if something messed up.

For the vest part of the basque, I grabbed some of the Timeless Treasures Pearle in white. It’s got a bit of a frosty look to it, which I think will be a great detail to play against the aqua.

The finishing touch for the outfit will be the white faux fur I’m using for trim on the hem of the skirt and the cuff and collars of the jacket. Yes, this is for a convention on Labor Day weekend in Atlanta where the average daily temperature hovers around 90 degrees. Yes, I am going to sweat to death. Yes, I am crazy.

skirt progress

I was inspired by another Victorian gown (OK, actually several) I ran across on Pinterest and decided to embroider snowflakes on both the skirt and jacket. There are a dozen on the center front panel of the skirt and another 20 arcing up on the rear train of the skirt. I chose two colors for the skirt snowflakes — aqua and silver — which I thought would play nicely against the white. Because it is a HUGE expanse of white. I could host a circus under that skirt! And since I can’t do anything the easy way…I’m hand beading to accentuate each snowflake. All 32.

beading


100 Days

It’s a little more than 100 days until DragonCon and I’m thinking I need to actually get started on sewing if I want to have my costumes ready in plenty of time. I always start out with the best intentions but procrastination gets the best of me and I’m lucky to have my plans solidified by August 1.

I tend to start thinking about costumes before the current con has even ended. This year is no different! I think I actually had four or five ideas on the table but practicality is winning out and I’m going to have to scale that back to two or three costumes. Fortunately I actually have been buying fabric — and even decided on one that will use a fabric from my stash — so now I need to just force myself to get working.

1174569_10151722137223387_505476339_nFirst up is a costume based off this work by artist Michael Dooney, an 1887 version of Selene from Underwood. I seriously have a thing for Victorian-era costumes and I’m thinking about doing the corset in leather — always a great choice for Atlanta in the dog days of summer. *eyeroll*

riddlersuit

Frank Gorshin’s Riddler from the 1960s Batman TV show has always been a favorite of mine. My version will be much more feminine. It may also be the only non-period costume I make for DC. I’m not 100 percent certain whether I’ll cover the suit in question marks — but I have some great ideas for doing them if I go ahead with them!

4a682d87262d6279ecf32b18cede4fcbI fell in love with this Victorian ensemble the moment I saw it. It’s serving as the inspiration for another costume — again, seasonally appropriate — that I’m planning to embellish with lots of machine embroidery and beading. I have nearly all of the fabric for this one and will use the same Truly Victorian patterns I used for last year’s Night Circus costumes as the starting point. I’m also thinking of blogging my progress with this one as the summer progresses, to help keep me motivated.

 

 

 


Patchwork Duffle

I don’t have PS on my laptop. I use my iPhone for maybe 99 percent of the photos I take these days. I’m waving the white flag and giving up on any pretense of polished perfection in favor of actually writing more than one blog post a year. So if less-than-perfect pictures offend you, you probably want to stop reading my blog.

Life happens. A lot. So here I am, seven months since my last blog post, trying to start anew. So how about I just dive back in?

At Quilt Market in Portland this past spring, I snagged a copy of Bari J‘s Holiday in London Duffle Bag. Bari is one of my favoritest people ever and I really love her aesthetic, so I pretty much had to pick up one of her awesome bag patterns, especially one that had the potential to become my go-to travel bag.

I was itching to make something with a gorgeous range of Michael Miller fabrics we had at the shop. Norwegian Wood plus a bunch of other gorgeous, graphic brights. Elizabeth Hartman’s patchwork Weekender came to mind but I didn’t want to make the Weekender so the patchwork Holiday in London Duffle came into being.

Holiday in L

I picked up 10 fat quarters plus extra cuts for the handles, strap and binding. Oh and separate lining fabric. Yeah, not doing twice the patchwork. As it was, the patchwork, quilt-as-you-go method probably added about eight hours to this project. Why? Because I’m slow and sometimes mess things up and have to figure out a fix midstream.

Holiday in L

I did an easy piecing job by using strips of different widths to fill the space. If you do this, you’ll want to cut the Soft n Stable at least an inch larger all the way around to compensate for how much it pulls in during the quilting process. I forgot this on a couple of pieces and so my bag turned out a wee bit smaller because I had to trim things up to get them to fit together properly. Whoops!

Holiday in L

I tinkered with the straps and handles (and tabs) and just made them into casings to slip cotton canvas webbing through. I really like using webbing for the durability factor and having them covered with fabric pulls together the whole look. I also used my favorite, favorite, favorite Fuse n Wrap piping because it is one of the best inventions ever. Seriously. (Soft n Stable falls under that category, too.)

The instructions were easy to follow and I like how the seams are all encased. If I make this again (and I probably will because I think it will be a great graduation gift), I will attach the bag bottom a little differently because I’m too lazy to do the hand sewing. (What? Have you not met me?)

Holiday in L

I skipped the “faux piping” step at the end because it’s a little on the bulky side and I just wanted to be done with it and start using it. I immediately took it upstairs to show off to Miss L and my Honey because nothing says “I’m done!” quite like show and tell. Ok, I really wanted someone who was not me to ooh and aah over it because it is FABULOUS. I love, love, love it and am so glad I put in the extra effort to do all that piecing and quilting. If you’re thinking about making this bag, I highly recommend checking out Bari’s fantastic sew along.


Tie One On

I don’t know about you but I think time has somehow accelerated. Surely it can’t already be February, can it? How did that happen?!

I’ve been pretty slack in the blogging department for the past year but I’m determined to make it work (in the immortal words of the fabulous Tim Gunn). What better way to kick off than with my little muse and the quick project she requested.

bowtie1lo

I picked up the ruffled button-down on clearance at the Land’s End store inside Sears. As soon as she saw it, she said it needed a bow tie and vest.

Yeah, there’s no denying that face.

bowtie2lo

My talented friend Jona has a great pattern for a men’s/boy’s bow tie; surely it would work for Miss L, I thought. Yes and yes! I’m really tempted to whip out a few more of these for my girlie and maybe the men in my life, too. But first there’s that vest…


Sewn Hats Giveaway

As cool as it is to have a book of my own, I have to admit that I probably squealed even louder when my contributor copy of Sewn Hats arrived on my doorstep. There’s just something incredibly fun about seeing your name alongside those of some of your favorite sewing friends. It’s kind of like those old Mickey Rooney movies when all the kids got together to put on a show.

Carla Crim aka The Scientific Seamstress may just be the Kevin Bacon of the sewing world. Flip through the contributor list and I think you’ll be inclined to agree: Alexia Abegg, Bari J., Melissa Averinos, Lisa Carroccio, Joanna Figueroa, Shelly Figueroa, Linda & Scott Hansen, Karen LePage, Kathy Mack, Kaari Meng, Heather Niziolek, Jennifer Paganelli, Betz White,  Patty Young and many more.

But what’s really impressive are the hats.

A little closer look at p. 100:

My own Miss L was clearly the inspiration for this darling cloche, but I also have to tip my hat to the amazing Diva, my friend Lisa, who was the impetus for this project. (Those gorgeous spiderweb roses on the samples in the book are her creations — and the book includes instructions for making them yourself.)

Want a copy of your own? Just comment on this post and you’re entered to win! I’ll close comments and use Random.org to choose a winner on Thursday, Oct. 4. In the meantime, be sure to check out the other stops (and more chances to win a copy of the book) on the Sewn Hats blog tour:

9/4 –  Scientific Seamstress

9/5 –  ModKid Boutique

9/6 – French General

9/10 – Pink Chalk Studio

9/11 -  Lulu Bliss

9/12 – The Domestic Diva’s Disasters

9/13 – Green Bee Patterns

9/14 – Goosie Girl Boutique

9/17 – Melissa Lilac Lane

9/19 – One Girl Circus

9/20 – Tie Dyed Diva Designs

9/21 – Figgy’s Patterns

9/25 – Craftiness is not Optional

9/26 – Bari J.

9/27 – Confessions of a Craft Addict

9/28 – Sis Boom

10/1 – Sew Mama Sew

10/2 – Aesthetic Nest

10/3 – Blue Nickel Studios

10/4 – Betz White

10/8 – Yummy Goods

10/10-  Wiley Craft


Dragoncon 2012: The End

Welcome to the ongoing geeky adventures of the Craft Addict! Yes, more Dragoncon sewing but I think you’ll like this one.

My lovely friend Meredith made a passing comment on the Book of Faces one day about sewing a Star Wars pin-up dress with some sheets she’d bought. The shop had recently gotten in some awesome Star Wars fabric so of course I had to use that comment as inspiration for my own geeky dress.

Untitled

If you’re going to be at a convention in Atlanta in the summer, a halter dress is pretty much going to be one of the most comfortable things you can wear. I am beyond happy with how this dress turned out, even though certain parts of it made me want to cuss.

The dress is a modified version of Simplicity 2401. I omitted the straps and lengthened the top of the bodice pieces to make a continuous strap around the back of the neck. I also added darts on the bodice sides to improve the fit of the “cups.” But the biggest modification I made was one that could have been handled differently had I followed my own advice: Make a muslin.

To be fair, I did make a muslin of the bodice portion of the  dress. Where I went astray was in thinking I didn’t need to worry about the skirt. For some reason, I though the skirt was more of an A-line than it actually is — and that resulted in a too-tight dress that looked utterly awful on me.

Fortunately, I had just enough fabric left to cut a third panel for both the front and the back of the dress. After copious amounts of unsewing (including picking out serged seams), I inserted the panels, gathered the top of the skirt to the bodice and a new favorite dress was made. A petticoat underneath adds just the right amount of “oomph.”

And did I mention it has pockets?

I’ve had some random invisible zipper issues with this dress and still need to rip out this zipper and install a new one (which will make the fourth one). But the fit is perfect and it’s super comfortable, too. Not to mention super geeky.

My weekend wasn’t just about wearing cool costumes, though. I also spent a few hours as a panelist with the Costuming Track. Let me tell you, it was one of the most awesome experiences ever. I sat on four different panels: Fabrics & Embellishments, Practical Costuming, From 2D to 3D, and Pattern Drafting Basics. Some of the coolest, most talented people imaginable were seated on those panels and dorky Mary was right there with them. It was surreal! I mean, it’s not every day that you get to hang out with RJ Haddy of SyFy’s Face Off. Well, maybe you do but I don’t. And the room was so full for most of my panels. I wasn’t really paying attention (I was trying to make sure I stayed on topic!) but my awesome Honey did and he was impressed with the crowds.

So many people came up to me during the course of the weekend to tell me how much they enjoyed the panels or thank me for some bit of information I passed on. It just really blew me away. Honestly, I am so lucky to be able to do what I do and getting the chance to pass that along to other people is one of my favorite parts of my job.

Of course, bumping into Dean Cain at Starbucks and having him tell you the Supergirl costume you made your daughter is great is pretty cool, too.

Yep, Dragoncon was pretty awesome this year.